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Sources

-“Bill Evans’ Kind of Blue Liner Notes.” SFJAZZ.Org, www.sfjazz.org/onthecorner/bill-evans-kind-blue-liner-notes/#:~:text=There%20is%20a%20Japanese%20visual,or%20break%20through%20the%20parchment. Accessed 4 Mar. 2024.

 

-Gross, Joan. Speaking in Other Voices : An ethnography of Walloon puppet theaters, John Benjamins Publishing Company, 2001. ProQuest Ebook Central, https://ebookcentral.proquest.com/lib/osu/detail.action?docID=623135.

 

-Kono, Tetsuya. 2019. “Phenomenology of Ma and Maai: An Interpretation of Zeami’s Body Cosmology from a Phenomenological Point of View.” New Generation Computing 37 (3): 247–61. doi:10.1007/s00354-019-00060-4.

 

-Nagatomo, Shigenori. “Japanese Zen Buddhist Philosophy.” Stanford Encyclopedia of Philosophy, Stanford University, 31 July 2019, plato.stanford.edu/entries/japanese-zen/.

 

-Sharf, Robert H. “The Zen of Japanese Nationalism.” History of Religions, vol. 33, no. 1, Aug. 1993, p. 1. EBSCOhost, https://doi-org.oregonstate.idm.oclc.org/10.1086/463354.

 

-Sims, Martha, and Stephens, Martine. 2011. Living Folklore, 2nd Edition : An Introduction to the Study of People and Their Traditions. Logan: Utah State University Press. Accessed February 25, 2024. ProQuest Ebook Central.

 

-Tseng, Chiahuei, Miao Cheng, Hassan Matout, Kazuyuki Fujita, Yoshifumi Kitamura, Satoshi Shioiri, I‐Lien Ho, and Asaf Bachrach. 2021. “MA and Togetherness (Ittaikan) in the Narratives of Dancers and Spectators: Sharing an Uncertain Space.” Japanese Psychological Research 63 (4): 421–33. doi:10.1111/jpr.12330.

 

-Tudorică, Ioana-Ciliana. 2023. “‘Emptiness’ and ‘Nothingness’ as Key Elements to Conveying and Understanding Meaning in Japanese Calligraphy.” Eikón / Imago 12 (1): 179–86. doi:10.5209/eiko.81715.

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